On "Shooting Men" & Max at Camden Market / by Amanda Liew

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Given that I am still relatively new to photography (this year marks my 2 year anniversary!), I'm always trying to challenge myself whether that be through direct prompts and challenges (The Photograph Collective) or various techniques that I want to try out (oof, gifs were a tough one...). One thing I've realized recently is how almost all of my portraits are of women! On one hand, most of my close girl friends are comfortable enough to ask for portraits, while on the other hand it seems that society has deemed photoshoots to be more "acceptable" for women than for men. In the past two years alone, I've had dozens of girl friends ask for a photoshoot, while I've only had two or three guy friends ask for "a new LinkedIn photo." Of course, I've absolutely loved shooting the sessions with the women in my life and have been so happy to share the gift of beautiful photographs which each one. Each woman I've shot has a different personality, a unique style, and something different to portray which still adds a significant amount of variety to my work. Lauren of The Pear Shape and Samantha Davis of @stylemediator are both fashion bloggers, but with completely different looks and attitudes. Even in photographing two girls who I'm exceptionally close with: my best friend Janet for her Penn senior portraits and my "little sister" Kiersten in San Diego, the experience has been completely different, and the photos certainly reflect that. During Merry & Kelly's engagement shoot, however, I took some photos of Kelly that I really loved - in particular, the shot of him looking off to the side. There's something very different about photographing men, although I'm not quite sure I've figured out what it is yet. In terms of very broad generalizations, I think that women are often times more comfortable in front of the camera due to years of group photos, mini photoshoots with friends, etc. After 4 years in Chi Omega, I can pop a skinny arm and sorority squat in .15 seconds, flat, and one of my good friends even has a head tilt that is somehow at the exact same angle in every. single. photo. In contrast, whether it's due to societal pressures of what's "acceptable" or just a pure hatred of being forced to take photos, I've encountered plenty of guys who have absolutely no idea what to do in front of a camera. Max, who I'm featuring in this post, never had any idea what to do with his hands. When I was abroad my junior year, I literally made a folder of photos where he was throwing up a peace sign, a thumbs up, a fake gang sign, or some other ridiculous gesture - they were all hilarious and a continual joke, but he just insisted he didn't know what else to do. Beyond that, I think a lot of it also has to do with who I am as a photographer. I feel comfortable "directing" shoots with my female friends. Saying "That looks stunning! You look beautiful! Yes your hair looks so great in that light!" is much easier with women than it is with men. Nevertheless, for 2015 I've sought to give myself a little mission of "shooting more men" (how hilariously questionable does that sound?!) and to do it well. When I did my very first portrait shoot with Kareli, she gushed at how beautiful she felt when she looked at those photos. While my photos might not evoke quite the same response with guys, I do want to produce photos that they are happy with, more confident because of, and truly appreciate. So with that, I present to you these portraits of one of my favorite Brits, Max, whom I visited in London over Thanksgiving. He put up with all of my running around, trying to find good light, constantly yelling conflicting directions like "Smile! Wait don't smile! Be serious! Step forward! Wait that light is bad, move back!" and was just a good sport all around. I'm quite happy with the way the images turned out - he sure is the handsome fellow, isn't he? And if you're a photographer as well (or aren't!), I'd love to hear your thoughts on taking photos of men, or perhaps of the opposite gender. Do you find yourself more comfortable with female subjects? How do you give confidence-boosting compliments to the opposite gender without making it sound creepy? These are real questions, and I think that being a good photographer involves so much more than being able to frame a good shot technically. Making someone feel comfortable, especially if you're a portrait or wedding photographer, is crucial for their experience, yours, and ultimately the outcome of the photos.  _DSC0129_British Thanksgiving_DSC0141_British Thanksgiving _DSC0144_British Thanksgiving